It’s harder than thought to get out with speed, even rats still got room to tuck tail. It’s the downside of putting down feet and planting your legs in cement for too long. Stick your collection of eggs in one casket and one unlucky step sets it off.

I didn’t know Brix and co. existed before an all day event at Rock City a year or two ago, I’ve been grabbing hold of news and new songs ever since. J&MC I got introduced to by way of a Psychocandy record being leant to me by a friend in a red Paddington Bear duffle coat in a south Wales college clique of uber-cool PVC musicfreaks. I caught the Mary Chain last at Latitude just gone where a broken effects pedal reduced their set to half hour. Needless to say I jumped at the chance to review these two bands.

I’d been consuming this desolate Dadaist ‘tronica since first offered the review. Blancmange’s newest album is a wide room to walk through, you can pick up and put down pieces of each song and move on to examine the next piece you fancy; A crystalline beat, hook or texture, a word. It’s flashy because it’s unflashy. It towers with no overcrowding. It’s open and wide and almost afraid of its own empty space.

It’s 2018 in the Rescue Rooms, Nottingham. It’s ’77/78 in CBGBs for an hour.

Im going to go ahead and namecheck from the off. Ramones, NY Dolls, Patti Smith, HeartBreakers, DMZ, Television… Reads like a grubbed up punk bible in a dirt-black hard-back CBGB sleeve. Snort off the face of it, tear out the pages and roll up a whatever, there’s enough blood and sweat in there to keep it all stuck.